Late final 12 months, Vietnamese pop singer Phung Khanh Linh was mourning the loss of life of a beloved cat. Her pet’s passing got here after the lack of different family members throughout a tough stretch of the pandemic. Overcome with grief, she longed for a remedy to her disappointment and located consolation within the nostalgic funk-pop sounds of Japanese metropolis pop.
“I turned to these sounds across the begin of this 12 months, and listening to them made me really feel actually impressed throughout this time, particularly albums from Mariya Takeuchi and Anri,” says the 28-year-old performer over video chat from Ho Chi Minh Metropolis.
Quickly, Linh was binging on the glitzy melancholy of metropolis pop, a style that epitomizes the benefit and enthusiasm of Japan’s bubble period. She ultimately started creating her personal sonic metropolis, guided by each the sounds and aesthetics related to this nook of Japanese music.
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